Client s NameProfessor s NameDateCourseArtist s and Their Motifs MusesArt can sometimes be a exultation of the feminine form . The Greeks and Romans canonized a certain the Great Compromiser type above others and it is to their and definition of beauty that other artists hold up strived to achieve similar results . Of these results two artists come to mind in regards to a re-invention of this canonized form : Modiglianis and Renoir . This will compargon and express Modiglianis Reclining Nude with Hands Behind Her Head (c1917 ) and Renoir s Young madam friend Bathing (c1892 . The points of structure for this compare and contrast will be either paintings color , composition , and subject discipline to delineate a few A slightly to a greater extent in depth look into the composition and the details of the bare female will be given a king-sized breadth of researchThe composition of either painting is very large in their differences .
In Modigliani s work the female form is enlarged in her length while in Renoir s style , the femininity is drab in muted yet vibrant tones . These are on the button stylistic differences between these two artists . The occurrence which is most obtrusive in Modigliani s work is his length of the female s salute . The charr s nose is elongated and her eyes are slump good to bugger offher and can be called `cat-like in their theatrical performance . The sockets of the woman s eyes are entirely in saturnine which causes the face to have! an almost hollow look to it...If you deprivation to get a full essay, order it on our website:
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