The Lion, the Witch and the Wardrobe

C. S Lewis wrote the novel The Lion, the capture and the Wardrobe initially for his Goddaughter in order to keep her in touch with Christianity. What Lewis did non realize is that or so(prenominal) adults would too extol the illusion childrens novel as well. The write up is filled with mythical creatures, humorous moments, and suspenseful situations. Although m either a(prenominal) events and characters expect improbable, the 4 children in the bookPeter, Susan, Edmund, and Lucyare realistically portrayed as all-round(prenominal) characters with individual strengths and faults.Although the novel is recognized as a childrens fantasy book, it is also popular with adults as the story contains bits of modern culture, vivid descriptions of vehemence and is heavy on Christian allegory. As much as the readers enjoy the magical land of Narnia, 21st century life is not precisely full of Dryads, Naiads and Fauns frolicking and feasting in the summer woods. By contrast, in todays childrens fantasy novels, not every injustice is punished, and not all the good people live happily ever subsequently some of them die, because that is reality.Between school shootings, gang fierceness and child subvert is seems as though reality is thousands of miles away from the fantasy of complete and integral justice in Narnia. What readers of all ages can strike to, however, is lese majesty. For example, spouses who cheat, employees who steal from their employers, and friends who regularize lies. This modern idea of betrayal is where readers from all age can relate to the novel. In the narrative, Edmunds first betrayal is a small exclusively unpleasant one Up to that moment Edmund had been feeling sick, and sulky, and annoyed with Lucy for cosmos right, but he hadnt made up his mind what to do.When Peter abruptly asked him the pursuition he resolved all at once to do the meanest and most spiteful thing he could think of. He decided to let Lucy down (Lewis 48). Edm und lies about his trip to Narnia in order to depict himself look superior in the eyes of his older siblings. This small stiffness will pave the way for his greater betrayal further in the story. Readers of any age can connect with the modern culture of betrayal in the novel, where minimal details are explored that over time tip to Edmund turning his back on his siblings.This novel features an odd mix of childish casualty and bloody battles. Young children who read this story enjoy the fairy-tale aspects, succession older readers can appreciate the repetition of scenes in which the children are a lot comforted by the sudden availability of tea, and the way the forces of good seem to always outweigh the evil. The use of forcefulness throughout the novel deals stringently with fantasy for children, where it is mainly used for excitement. On the other go, for older readers the violence in the novel can be seen as consequential where fundamental force is used as simply last re sort.For example, as the channelize of the forces of evil, the White temptress is not playing a long hand when she exclaims, Summon all our people to meet me here as quickly as they can. squawk out the giants and the werewolves and the spirits of those trees who are on our side. Call the Ghouls, and the Boggles, the Ogres and the Minotaurs. Call the Cruels, the Hags, the Spectres, and the people of the Toadstools. We will fight (Lewis 149) There are many different creatures in Narnia that follow the White Witch and she merely acts as their stone cold captain.This quote explores evil where it is not an isolated fortuity in Narnia it is the idea of violence and commands a great deal of power. The Lion, the Witch and the Wardrobe functions as a spiritual allegory where one does not have to be too familiar with the Bible to recognize some of the key characters and themes. Without doubt, Aslan represents Jesus Christ, and also God himself, whereas the White Witch represents Satan. Narnia, where the hazard happens, visibly represents the Kingdom of God. Clearly there is no direct retelling of any of the Bible stories however, readers can find elements taken and redistributed for younger readers.In addition, having this biblical reality come to life is important to ensure a committed Christian lifestyle not only for children, but also for adults. For instance, when Edmund arrives in Narnia alone, he immediately meets the White Witch where he is tempted with the transport Turkish Delight and the promise of becoming a prince of Narnia. The White Witch explains to Edmund, I think I would like to make you the Prince some day, when you realize the others to visit me (Lewis 40). Succumbing to temptation is a very powerful theme in the Bible, where Jesus is tempted by Satan in the wilderness with promises of great power.not only does Lewis restate certain events in the life of Jesus in a context that is easy to understand, most importantly, readers of all ages can both relate to and enjoy the fantasy of Narnia. An understanding of the modern reality, use of violence and Biblical allegory in the novel is essential in pleasant both younger and older readers. The Lion, the Witch and the Wardrobe has already establish itself as a timeless novel that appeals to both the atheists and Christians, the uneducated and to scholars, and at last to children and adults.In addition to being a childrens fantasy book, it is an adventure story in which the heroes set out on a quest to recover their kidnapped friend and end up ruling the land. An analysis of this narrative, however, allows readers of any age to fully appreciate Lewis unique gift to simplify entangled ideas and craft beautiful childrens fantasies. Thus, this allows the reader of any age collection to gain a deeper understanding of Lewis as a skilled fictive writer and a deeper satisfaction of his artwork, The Lion, the Witch and the Wardrobe.